Skogen - Svitjod (2011)

Skogen is one of Sweden's newest black metal bands to hit the stage with their newly released album entitled "Svitjod." The album consist of ghostly melodic riffs, frightening vocals, and overwhelming drumming. The atmospherically raw recording sets up ghoulish imagery and ambient surroundings.

The first track, entitled "Dighra Dodh," opens with evil screeching guitars and monstrous vocals that will capture your ear immediately. The vocals are grim and full of black metal undertone. "Haxsabbet (Crimen Laesae Divinae Majestatis)" follows with soothing guitar riffs and eerie strings. They are mixed with violent drumming that will have you relaxed, yet hyper at the same time. The guitar work is truly remarkable, as they fill the song with an emotional vision of darkness. Also the drum fills after the verses are full of quick detail and really build excitement and energy as the song continues.

Harsh growling combined with demonic guitar melodies blast throught the 7 minute masterpiece entitled "Midnattens Gilmrande Stillhet." Be prepared to thrash your head to the drumming, as the double bass pedal action takes complete control over your mind. Halfway through the song enters haunting chanting vocals between the verses that present a similar sound to that of the Norwegian symphonic black metal outfitters Dimmu Borgir. The song structure is absolutely magnificent as the tempo changes back and forth. The opportunity for rest is minimal in the epic performance.

The album slows down with the epic "Vinterriket," which runs for over 11 minutes. The instrumentation is astounding as they incorporate ominous synthesizers, heavy guitars chugging dark minor chords, and gorgeous melodic acoustic notes all in one. Even the vocals switch between deep monstrous growling to calm depressive clean singing. A beautiful acoustic guitar solo enters about 4 and a half minutes in. This is filled with both melancholy emotion and an angelic feel. "Storm" is another similar epic beauty that definitely deserves some attention. The tempo stays slow and dark, but contains tons of distorted screechy guitars and more incredible vocal power throughout.

Things pick up speed with the electrifying "Blodornshamnd." Blaring guitar rifts come flying at you carrying dark melodic tones. Wrecking cymbals sour over the rapid double bass predal drumming while devilish sounds consume the atmosphere. This is definitely a "must hear" song you will not want to skip!

The album is well balanced with terrific structure and terrifying vocals. "Svitjod" definitely has the potential to set Skogen apart from other black metal bands. Although they are still fairly new, this is a great step in the right direction.

8/10

Myspace - http://www.myspace.com/skogensweden

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The Podcast: Episode 5 (Double Trouble)

This episode is our favorite so far. We give you a heads up on Arafel, Cathis Ord and Moonsorrow. But then, the conversation begins. Why does it seem like bands don't get the huge following they did 10 and 20 years ago? Is the saturation of every sub genre hurting each and every band? Is this all just another sign of the collapse of the music industry?

Side note: There was a verbal typo in part one. The violin player from Arafel is from Germany, not the guitarist. Said it right the first time, wrong the second time.

Part 1 - http://www.megaupload.com/?d=4O4NVYO1

Part 2 - http://www.megaupload.com/?d=C65I368E

What do you think? Let us know in the comments!

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Dethklok - The Dethalbum II (2009)

After the staggering success of first offering, The Dethalbum, it was only a matter of time before Metalocalypse creator Brendan Small returned to the studio for a second session of brutality. Two years later, he has returned, but something is different this time around. The laughs are still present, but this is not the same Dethklok. This is the album we, as metal fans, had been waiting for.

Instantly, you can hear a much more crisp production on "Bloodlines." Tribal drumming leads into shredding guitars. Nathan Explosion's deep, coarse screams are more powerful than ever. An intermediate breakdown leads into a blood curdling, high intensity scream, never heard before on a Dethklok track. Gene Hoglan is once again behind the drum kit, showing us in every way why he has been dubbed "The Machine."The next track, "The Gears," is a call to arms for all Dethklok fans. You are told that "you're here because/you're one of us." And this could not be more true. Intertwined guitar scales, dipping in and out of Hoglan's uncanny speed and precision are a deadly combination.

The starting gallop of "Burn The Earth" is an instant headbanging classic. Lyrically dark and yet somehow amusing, Explosion plows through the song with gritty interjections; "Pour the gas, light the match, burn." The guitar work of Brendan Small is at its best, one blazing solo after another. "Laser Cannon Deth Sentence" takes no prisoners (literally), pressing forward with just a hint of keyboard fueled brutality. The music has evolved, beyond the jokes and the tongue-in-cheek humor.

"Black Fire Upon Us," the song from the season 2 finale, has been hashed out into a six minute masterpiece. While it comes in as one of the slower songs on the record, make no mistake about it. This is Dethklok at its best. From the growling vocals, to the deliberate chugging guitars, everything we have come to expect from Small is present here, and so much more. "Dethsupport" brings the tempo back up, shredding through a 2 and half minute plea to pull the plug. Explosion pours out a list of illnesses, with each line followed by a demand to pull the plug. After all, it's costing too much.

"The Cyborg Slayers" and "I Tamper With The Evidence At The Murder Site Of Odin" are both strong, with Hoglan's drumming really seeing the spotlight. A familiar whine takes you head first into "Murmaider II: The Water God," a sequel to a track from The Dethalbum. It takes everything the original had to offer, and builds more on top of that foundation. You have committed murder, and you now live knowing you are being tracked. But you proclaim, "I am the water god."

Destiny comes at full force in "Comet," complete with what may be the best guitar solo the album has to offer. You are treated to an almost Pantera-esque stomp in "Symmetry," a song about physical perfection and jealousy. The song contains a serious southern groove, accenting Explosion's vocals. The band concludes with "Volcano," which contains a group of background singers, chanting along. Again, something you would not expect to find in a Dethklok offering.

When it comes to success in the music business, you are often confined to your sales numbers and Billboard chart positions. Brendan Small has been able to count success in more ways than one. Yes, The Dethalbum II sound 45,000 copies in the United States in its first week, placing it at #15 on the Billboard Chart. But more than that, he has created a loyal following of fans not unlike the ones that Dethklok encounters in their show. With the release of the first album, we found ourselves wanting to do anything for Dethklok. Now, we are truly gears.

9/10

Official Site - http://www.adultswim.com/shows/metalocalypse/index.html

Myspace - http://www.myspace.com/dethklok

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Burzum - Fallen (2011)

Burzum is only one of few bands that can really pull off the low budget sound recordings when putting out an album in today's hi-tech world. "Fallen," the 8th studio album, is a well written and well performed piece of black metal art however be prepared for the lack of quality in the recording. Some bass lines and guitar riffs are hard to pick out especial over the violent vocals and drumming in specific parts. The good thing that this quality has to offer is that the guitars sound more evil and more screechy than most recordings now-a-days. This fits well for the fact that it is black metal and evil and screechy is what black metal fans look for. And for those of you who are not familiar with Burzum, Varg Vikernes is the only member of the band. He did everything from writing to recording and even producing "Fallen" and most of his earlier work as well.

The album contains more of an ambient sound as you'll hear in certain tracks. The intro, "Fra Verdenstreet," creates a dark sinful image as it is filled with eerie sounds and ghostly whispers. "Jeg Faller" is the following track that runs just under 8 minutes. The opening verse is pummeled by venomous growling and deathly guitar riffs played in between. The refrain is melodic and memorable as Vikernes clean vocals sing in a low key. It will have you humming along instantly. Others verses include eerie lyrics which are delivered in a satanic like voice. Punchy bass lines fill gaps between the chorus and provide poisonous beauty to the song.

Depressive guitar riffs consume the atmosphere in "Valen." The use of growling and gloomy clean vocals combined during the refrain gives off an emotional yet violent feel. The guitar work throughout the song is absolutely remarkable. This is 9 and a half minutes of sheer beauty. Devilish screaming and evil growling is followed in "Vanvidd." The song carries a solid back-bone to the album as it contains layers and layers of ominous guitar riffs blaring with distortion. There is tremendous amounts of rapid hi-hats and loud crashing cymbals. Vikernes also manages to include chanting vocals in the middle of the song right before the demonic screaming comes back in. This adds a great Nordic feel to the track.

The song "Budsikken" is ten minutes of skull crushing guitar riffs played in rapid minor chords. The vocals vary between viscous screaming and demonic spoken word which give off wicked fiery undertones. There is also lots of various drum patterns and tempos with detailed song structure This leads to the final track. The album comes to close with "Til Hel og Tilbake igjen" which translates to "To Hel And Back Again." The song is a dark outro that is full of quiet, eerie instrumentation. This includes unusual drum sounds, low, creepy whispering, and haunting guitar notes that fill the air creating a dark environment for the listener. Incredible imagery for this ominous adventure.

"Fallen" leans more towards "Belus" which is Burzum's previous album released in 2010. There is a lot more ambiance all throughout, however it also contains some newer influences as well. The lyrics contain more personal issues yet also include a mythological background. Despite the low recording quality, Vikernes has displayed a well range of variety throughout the record and continues to show his talent and passion towards black metal.

8/10

Official Site - http://www.burzum.org/
Myspace - http://www.myspace.com/burzumofficialpage

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Cathis Ord - The Far Shore (2011)

 

Storytelling in music is no secret. From the smallest punk bands to epic viking outfits, everyone has something to say. So how do you tell your story with minimal vocal work? Cathis Ord, hailing from the stormy UK, are doing just that. A refreshing fusion of progressive rock and post-metal elements, partnered with sparse vocal passages, plays out like a book written in musical form.

The buildup is the key to "Rider On The Dawn," before a four stick count brings in the heavy bass drum action and atmospheric guitar work. The theme is evident, with the lead guitar work taking the place of vocals in most areas. The track features short burst of growls and screams, but the story is told through darting guitars, both acoustic and electric. The changes of tempo and tone are impressive, and keep things fresh for the duration. "Beyond These Gates" starts as a simple post-rock piece before being joined by clean, and slightly off key singing. The drums start to get heavier, and the voice gets progressively more coarse. Before you know it, you are assaulted with high speed double kicks and epic, uninhibited solos. A screaming outro provides the bookend to the track.

Arguably the catchiest track on the album, "As Winter Lays Its Siege" takes an electric guitar foundation and mixes it with acoustic sections. The back and forth provides a marvelous contrast of styles, punctuated by a growling bridge. Guitar melodies are at a premium here, playing off the thunderous drums. Footsteps lead us out of the track, and into the next, "From The Far Shore." A soft drum beat, simple bassline and acoustic guitar are the framework, with a light whine of electric heard faintly in the background. A lone drum and the cold wind are the finale.

Heavier moments are to come, with both "The Palace Without A Name" and "Fire On The Horizon" bringing the sky down. Stunning guitar work drives both to familiar places, with a tremendous set of creative drum fills steering the ship. Acoustics are used well, both as a cool down and a scene setter for the final act. The vocals border on violent in nature, cutting through the wall of guitars, bass and drums to the core of you. Piano keys ring out, and the journey comes to an end.

While vocals can certainly tell a story in a myriad of ways, telling the same story through instrumentation could prove to be more profound. And when you manage to combine both styles in a flawlessly executed work of art, you are doing more than telling your story. You are taking us all along for the ride.

10/10

Myspace - http://www.myspace.com/cathisord

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Amon Amarth - Surtur Rising (2011)

After 2 and a half years of waiting, the viking metal gods, Amon Amarth, are back with another explosive album, entitled "Surtur Rising." This is the Swedish death metallers' 8th studio album. Just looking at the album cover, you can already tell what is about to be thrown at you. Everything from vikings with swords to fiery flames and volcanic death! True epic pagan metal delivered in the heaviest way possible.

To start this epic adventure, the album begins with a violent opener entitled "War Of The Gods." It's packed with quick double bass pedals and viscous guitar solos that are both melodic and catchy. You will also find the riffs during the chorus to be irresistibly addicting and they run through your head for hours on end.

"Destroyer Of The Universe" is another magnificent song that is full of deep rocky growling. There is also a very catchy refrain accompanied by wicked roaring and incredible blast beat drumming. This is followed by an impressive melodic solo ripping up and down the scales. Johan Hegg also shows off his deep, monstrous growling in "Slaves Of Fear" and "The Last Stand Of Fire." They are full of passion and violent emotion giving off so much feeling from the album.

Also, "Wrath Of The Norsemen" has deathly breakdowns that will have you rocking your head and throwing up your metal horns. The only issue I have with this song is that it is 3 minutes and 44 seconds too short. being such a powerful song it would nice if it was a few minutes longer. Not to worry though, the repeat button fixes this problem. You will find your self hitting this button more than once, that's for sure.

There is also a special treat that is incorporated with "Surtur Rising." If you buy the album Amon Amarth offers you a free download of their version of System Of A Down's "Aerials." I must say, they really take the cake with this electrifying cover. The instruments are right on point. As for the vocals, If they don't make you shit yourself, I don't know what will. Hegg's growls are deafening and full of rage. This is one cover song you won't want to miss!

Amon Amarth has shown that they can, and will, continue to do what they do best, and that is to make epic viking metal. They somehow manage to out do themselves with each and every album. "Surtur Rising" is everything expected by them and even more. For victory or for death!

9/10

Official Site - http://www.amonamarth.com/
Myspace - http://www.myspace.com/amonamarth

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Arafel - For Battles Once Fought (2011)

Soviet born youngsters. Folk influences. Black metal elements. Death metal style. Viking metal vocalist. Those five things could easily be used to describe an entire tour's worth of bands. But in this case, all of them come together in one Israeli monster, known as Arafel. Derived from the Hebrew word for "fog," this five piece will certainly leave your vision blurred, and your ears ringing with their own brand of epic war metal.

Pounding drums and the sounds of war build to a fever pitch, and "Sword's Hymn" has begun! Lightning quick drumming and guitars pave the way for an array of vocal styles. Low end growls alternate with blackened screams. Viking chants enter, while a soft violin adds another texture to the fold. This is headbanging music at its finest, through verse and chorus to a dizzying breakdown section. "Kurgan" enters as a folk piece, with a well constructed intro, allowing the violin to duet with a distorted guitar. Harsh, grating vocals are the norm, treading with a heavy foot over time signature changes and flowing guitar hooks.

An acoustic guitar riff, beautiful and brief, leads you to "The Siege." Uptempo drumming forms a gallop of sorts, before descending into pure chaos. Roll after roll, leading to thunderous crashes. Cutting through the dark is a guitar solo that will bring you to your knees. Even at high speeds, instruments stay in sync, locked with dooming vocals. As catchy a guitar melody as you will ever hear highlights "1380: The Confrontation," contrasted by the depth and power of scream after scream. With growls and screeches in bunch, often delivered together, you may feel as though Satan himself is calling out to you. Strings, horns and crunchy guitars reiterate the opening melody as the track closes.

Whipping winds fill the background of "The Last Breath Of Fire." The folk influences are evident here, though kept in a darker reality. Chants rings out over the flurry of drums and guitar riffs. "Im Feld" is a slaughter of epic proportions, with soaring scales and drums that continue to punish you, from kick to snare, tom to cymbal. A brilliantly executed stop and start breakdown are sure to earn a nod, preparing you for a down tempo stomping outro.

"Wolf's Hunt" offers a short reprieve before grabbing you by the throat. Violin and keyboards get a starring roll, playing the melody through the major sections, with beautifully orchestrated chants and choirs filling  the air. The raspy screams lead the way, stopping only to insert a true death growl. "Death Of Archaic World" is the epitome of a closing track. The band are now at full throttle, with every influence present and accounted for. Everyone gets a turn, from a heavy handed, hammering drum beats to a dance inducing violin. You will both fear and look forward to the war.

What more can be said about a band, and album, that seem to have it all? Arafel have become something more than death, something more than folk, something more than viking or black metal. Through the years, they have evolved into a genre unto themselves. Maybe they can become the founding fathers of Israeli blackened Viking folk death metal. Consider it done.

9.5/10

Official Site - http://www.arafel-band.net/
Myspace - http://www.myspace.com/arafelmetal

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The Podcast: Episode 4 (Hurdy Gurdy Hijinx)

Forth time is a charm, right? Sons of Seasons and Helevorn are on the "new artist" agenda, while Suidakra finally gets some respect. Chester has fallen into a folk metal induced coma after being introduced to Eluveitie's stunning album "Everything Remains as It Never Was." Time for a 'hurdy gurdy' education!

http://www.megaupload.com/?d=QFZA4ETB

Download it, listen and let us know what you think. We want to hear from you!

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Meshuggah - obZen (2008)

Coming from the depths of Sweden, Meshuggah has released their sixth studio album in 2008. This experimental metal band has taken their sound to a whole new level. The album, entitled "obZen," features massive amounts of fast heavy riffs, speedy drumming, and immense breakdowns.

The album starts off with "Combustion" immediately showing off their unique guitar and bass riffs, as they clash together heavily with intense drumming. The song holds a screeching guitar solo towards the final minute. This is followed by "Electric Red" which carries devilish guitar riffs and haunting synthesizer.

"Bleed" is a 7 minute masterpiece that has one of the most insane intro's I have ever heard. It is filled with destructive drum patterns and rapid bass playing throughtout. The vocals are loud and violent as well. The incredible breakdowns will leave your head bobbing from start to finish. Ominous synthesizers enter about 4 minutes into the song, which then lead to a monstrous bridge consisting of rapid double bass pedal action and a melodic synthesizer layered on top.

Track 4 entitled "Lethargica" offers a very different type of sound as violent guitar riffs fill the air. This is then combined with jaw dropping bass lines that create such an amazing godly sound. Meanwhile, there are songs like "This Spiteful Snake" which contains dark metaphorical lyrics, which you will definitely want to look up as you are listening to it. The lyrics are, of course, told through Jens Kidman's demonic and deafening growling. Their is also an eerie solo in the middle of the song which you will find most impressive.

If you are into constant beastly breakdowns then track five, "obZen" is definitely one to check out while searching through the album. It keeps a constant groove throughout the song leaving you once again, headbanging constantly. Bone crushing guitars chug away to reckless snares and cymbals while detailed bass notes knock you out of your seat.

Overall, the album is very intense and interesting. It stands strong and keeps you hooked the entire time, thanks to the phenomenal song structures and the consistent heavy drumming. Kidman's vocals keep the album dark and gloomy while the guitars you destroyed with their violent minor chords. This is definitely one of their greatest albums yet.

8/10

Official site - http://www.meshuggah.net/
Myspace - http://www.myspace.com/meshuggah

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Helevorn - Forthcoming Displeasures (2010)

Innovation isn't always the key to excellence in the metal world. There is something to be said for simply doing right by your sound. For Helevorn, a six piece from Palma de Mallorca, Spain, it has been beneficial to master their craft, rather than try to reinvent the wheel. On "Forthcoming Displeasures," their third disc of material, the band take the death/doom structure to familiar places.

Delicate strumming and a simple bassline greet you, joined by a spoken passage, introduce "From Our Glorious Days." Booming kick drums and deep screams come from nowhere, tempered with sparse keyboard melodies and off-key, yet powerful clean vocals. The tempo is slow and deliberate, remaining at a constant. A quick bit of prose moves you into "Descent," a track which proves to be a chugging clinic. A single guitar riff cuts through the thunder, creating a path for well placed keys. The vocals are harsh in their delivery, but not overpowering, allowing room for melody and synths to cut the tension.

A beautiful piano piece leads the way in "Two Voices Surrounding," a track that is about as close to a ballad as you will find in this style. The vocals start clean, though touched with effects, before descending into darkness again. Simple guitars and drums keep the song moving forward without imposing. Suddenly, a deep, guttural scream arises, welcoming you to "To Bleed Not Suffer." The pace changes from a slow, somber beat, to a more aggressive one, but always ends up back where it started. Through all the time signature and instrument changes, there is always a pronounced, calculated drum tone, giving you perfect head nodding material.

"Revelations" kicks things into a higher gear, with guitar scales ripping through the bass, drum, vocal wall. Signature growls are revealed, syncing up precisely with kick drums blasts that are sure to rattle your rib cage. But beauty is ever present, with keyboards providing accents along the way. We fall back into the depressed abyss of  "Hopeless Truth," using spoken word to dim the lights. A guitar riff that almost seems to be one of light chimes in, before crashing down to earth in a heap of eerie keyboards, devilish screams and drum earthquakes.

Both "Yellow" and "On Shores (Of A Dying Sea)" are masterpieces of doom, creating a perfect ending to the album. They are instruction manuals on how to make music that is both dark and powerful. Guitar melodies, clean vocals, coarse screams, heavy drum fills and the light addition of cymbal all melt together in a profoundly simple way, before fading away to a piano outro.

Not every album needs to be a revelation. Bands try so hard to set themselves apart, but often in ways that detract from the music itself. The key to improving your standing in the music industry isn't always another vocalist, odd instrumentation or a half-baked concept album. Sometimes, the answer is as simple as perfecting what you already know how to do.

8.5/10

Official Site - http://www.helevorn.com/
Myspace - http://www.myspace.com/helevorn

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Insomnium - Above The weeping World (2006)

Ready for some kick-ass melodic death metal? Coming from the dark shadows of Finland is the incredible Insomnium. Their third official studio album, "Above The Weeping World," is an aggressive, melodic masterpiece. Nine tracks filled with screeching guitar solos and brain splattering drumming and bass picking. Not to mention the consistently brutal growling that will make you shit your pants!

The intro track alone will blow you away with its epic buildup from calm beautiful piano keys to heavy destructive guitar riffs. "The Gale" immediately gets you hooked as its catchy melodies jump out and grab you by the throat. This is just a taste of what this killer album has to offer.

"Mortal Share" is the first full song on the album. It opens with dirty guitar work as you are first introduced to the vocals. A sudden "roar" breaks through the guitars smashing every frequency in sight. The verses are sharp and to the point, which lead to heavy chorus's and ripping guitar solos. And if you're looking for some more great solos, "Drawn To Black" and "The Last Statement" contain melodies that will wrap around your head and drown you as guitar notes fill your ears.

"The Killjoy" has an interesting structure, as it starts with fiery guitar chords and reckless growling through the verses but incorporates soft, angelic acoustic guitars layered with ominous spoken word towards the end. The various changes in tempo will keep you at the edge of your seat. Also enjoy the ripping guitar solo that is thrown in the middle of the track.

Track four entitled "Change Of Heart" offers rapid bass pedal action with epic verses as they consist of aggressive growling vocals accompanied by layers of demonic guitars. They are then followed by a beautiful melody that will stay stuck in your head for days, as I've found myself humming the tune while at work. You will also find catchy guitar notes in the song "At The Gates Of Sleep" as they are combined with amazing double bass pedaling and booming bass lines. These are definitely two tracks you do not want to skip.

Insomium concludes the album with an epic 10 minute song entitled "In The Groves Of Death." It includes gorgeous orchestral instruments in the beginning, followed by amplified guitars and deep growls. It also includes a soothing bass line about 5 minutes in while accompanied by a ravishing guitar solo.

Outstanding song writing by Insomnium, both lyrically and musically. "Above The Weeping World" has memorable riffs and head bobbing drum patterns that deserve much attention. We will hopefully be seeing a lot more of them as they continue putting out more epic albums like this one.

9/10

Official Site - http://www.insomnium.net/
Myspace - http://www.myspace.com/insomniumband

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Suidakra - Book Of Dowth (2011)

Suidakra, a melodic death metal outfit from Germany, specialize in bringing Celtic folk elements to dark new places. No, that isn't a misprint. For those unfamiliar with the band, it is certainly strange to imagine a group of Germans bringing you to an Irish step dance infused lather. But that is precisely what happens on this, their latest adventure, "Book Of Dowth."

Taken from dark Celtic lore, the album tells the stories of the Fomor, a horde of demonic beings in ancient Ireland. Beginning with "Over Nine Waves," you are treated to the heavy, in time with the sublime. Bagpipes lead the way, over the sound of the sea and wind meeting in a powerful force. Double kicks and thrashing guitars enter, make the transition to "Dowth 2059." Classic headbanging style emerges, with high speed and heavy distortion. Harsh vocals charge into the fray, delivering the dark and dangerous tale of the book, uncovered in the future and bringing on disaster on death. The breakdowns provide reprieve from the slaughter, with somehow lighthearted Celtic guitars playing the lead.

The back and forth, give and take of guitar work continues in "Battle-Cairns," saturated with a huge drum sound, from blast beats to cymbal crashes. You will find the desire to don your armor and charge into battle against the demons, while also feeling the urge to break out in a "Lord Of The Dance" style routine. "Birog's Oath" sees the first appearance of a haunting female vocalist. Toms and acoustic guitars set the pace, before giving way to crunchy guitars at the trademarked "evil march" tempo. A soft piano outro, leading to delicate acoustic intro of "Mag Mell," otherwise known as the "plain of joy". A ballad of youth and beauty to rest your weary head.

"The Dark Mound" and "Balor" continue on the high powered journey, painting a dark portrait of the battles to come. High energy guitar work, completed by thunderous kick snare combos and growling vocals. "Stone Of The Seven Suns" showcases a uptempo chant, highlighted by marching snare drums and acoustic guitars. It is evidence that bands in this often stereotyped genre can, in fact, write a catchy hook. Vocal aggression rules the stage on "Fury Fomoraigh." With the evil book uncovered, the demons seek revenge for the years of imprisonment. The track borders on violent, bludgeoning you repeatedly with the heavy, coarse guitar work, drum rolls, and massive kicks. Endtimes arrive, and the track fades to reveal "Otherworlds Collide," an acoustic, stormy ending.

Suidakra have taken a stirring piece of ancient mythology, and done an admirable job of turning into a metal epic. And while unearthing the "Book Of Dowth" may have brought death and destruction to the world of the future, it is has certainly given the fans of this hard nosed German four piece something to look forward to.

8.5/10

Official Site - http://www.suidakra.com/
Myspace - http://www.myspace.com/suidakra

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Opeth - Deliverance (2002)

When it comes to Opeth, it is hard to decide which album to listen to. Everything that they have ever recorded is unique, and truly amazing, in every way. One of their most powerful albums to date is, without question, "Deliverance." This is their 6th studio album and was released in November of 2002. The band has really taken Progressive Death metal to a whole different level, combining Mikael Akerfeldt's hell raising growls and subtle clean singing with tremendous changes in song structure, from fast and violent drumming to dark and calm melodic guitars and piano.

"Wreath" sets a fast, groovy melody to the beginning of the album, as distorted guitars and rapid kick-snare action blasts through your speakers. Excellent use of orchestral strings leave a perfect sound ringing in your ears. Giving off a dark and deathly feeling, the lyrics paint a clear picture of a nightmare. Definitely be sure to read them over. Another great feature to this song is that is runs just over 11 minutes. So if you're into those long, epic story tellers, this is definitely the song for you. In fact, as you continue listening through the album, you will see that 5 out of the 6 tracks are over 10 minutes long. Take "Deliverance," for example. It is 13 and half minutes long, and is loaded with creative lyrics and deafening guitar riffs. Even knowing the length of these songs, you will still want to replay them over and over.

The album slows down with "A Fair Judgement." The first minute and a half is a soft and beautiful piano, followed with smooth, clean vocals and light drumming and guitars. The first couple of verses are used as buildups to the catchy melodic guitar notes that follow afterwards. Acoustic guitars enter the song, as more clean vocals are included. It then picks up with heavy, electrifying guitar riffs and loud cymbals and snares. Striking solos fade in and out throughout the middle of the song. The track fades with dark repetitive guitar riffs as it introduces "For Absent Friends." This is a little 2 minute song that contains mellow guitar melodies with no drumming. Almost an intermission to the album.

"Master's Apprentice" is a true masterpiece that contains quick double bass pedaling and outstanding instrumentation. The use of acoustic guitars mixed with electric guitars help create a clear image and a strong sense of emotion to the song. The vocals switch back and forth between clean singing and monstrous growling. This is one of Akerfeldt's most impressive performances ever. So much passion is shown with his deep lyrics and miraculous clean vocals. "By The Pain We See In Others" even consists of different uses of his voice. The beginning has dark, eerie vocals that almost sound like black metal.

The mixing of vocals and amazing song structure throughout "Deliverance" is absolutely extraordinary. Opeth holds so much talent and creativity in their songs. Every album, including this one, will leave you wanting more. It's music like this that has Opeth standing out above the rest.

9/10

Official site - http://www.opeth.com/
Myspace - http://www.myspace.com/opeth

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Sons Of Seasons - Magnisphyricon (2011)

Kamelot is a very well known symphonic metal band, and I can only imagine how busy they are with writing new songs and touring all of the time. However, their keyboardist, Oliver Palotai, has been making an effort to put together a side project known as Sons Of Seasons. The talented group from Germany has released their second studio album, entitled "Magnisphyricon." The album is packed with fantastic melodies and epic orchestration.

The album opens with a short melodic intro that really sets the image of the album, and prepares the listener for an incredible journey. This leads into the first song on the album entitled "Bubonic Waltz." Now of course this is not your average waltz. This symphonic track is filled with thunderous drumming and magnificent orchestral instruments. The double bass pedaling is sure to have you bobbing your head immediately. Deep strings mixed with incredible synthesizers really catch your ear. The vocals are subtle at first, but become louder as it builds into the refrain. The song even includes an organ during the middle of the breakdown, which is then followed with a beautiful guitar solo. This is an amazing song to start off such an operatic album.

If you are looking for some well balanced tracks that are both heavy and epic, "Soul Symmetry" and "Into The Void" are two songs you will definitely want to check out. They both have unique song structure and go from soft and beautiful to loud, distorted, and heavy as hell. They start out with destructive guitar riffs chugging away from chord to chord. However, as the verses enter, the tempo slows down and light layers of strings and chiming cymbals take over. This, of course, is accompanied by the marvelous vocals of Henning Basse. The chorus's consist of catchy melodies and are layered by multiple instruments, including horns and unique strings. The solos within these two tracks are quite amazing as they go back and forth between the guitar and keyboard. Certain parts being fast and deafening, while other parts are slower with more melody and emotional feeling.

Another unique song that you will want to hear is "Sanctuary." The band features the astonishing Simone Simons, lead singer of Epica, as she adds her gorgeous vocals to the track. She sings the first verse and also joins the chorus, as she and Basse sing together. The mixture of their voices will have you hooked as you'll find yourself playing this song over and over again. As far as the instruments go, violins fill the air during the breakdown as they are layered by lovely piano keys. There is also lots of depth within the bass and drums that adds great texture to the song

As the album comes to an end, it is concluded with a piano ballad entitled "Yesteryears." This is one of the most divine pieces of music, full of feeling and creates breathtaking imagery. Calm, elegant piano keys fade behind Basse's angelic vocals. The ending includes a terrific piano solo that leads to the refrain one last time. This epic masterpiece is the perfect way to complete "Magnisphyricon."

Sons Of Seasons is more than just a side project. This is true symphonic metal at its best. Tons of epic awesomeness surrounded by ripping solos and heavenly vocals. It also includes fantastic use of orchestral instruments to really give it that harmonious sound.

8.5/10

Official Site- http://www.sonsofseasons.com/
Myspace - http://www.myspace.com/sonsofseasons

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The Podcast: Episode 3 (I know who you aaaaarrrrreeeee!)

Back again for round three. We open your eyes to French "oriental death metal" innovators Arkan, as well as Finnish folk metal titans Crimfall. Chester returns give us his view of Blind Guardian's latest opus, "At The Edge Of Time."

http://www.megaupload.com/?d=P8B53BDX

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Nevermore - The Obsidian Conspiracy (2010)

 

Seattle, Washington, has always been known as a hotbed for all things rock. From grunge to indie, the rainy northwest is home to the hard and the heavy. But none are more unique than progressive metallers Nevermore. For the better part of two decades, they have carved out a niche, taking everything we know about thrash, and turning it upside down.

A winding guitar played atop a labyrinth of crushing drums kicks things off. "The Termination Proclamation" is a statement of intent. Guitarist Jeff Loomis ties you in knots, while Warrel Dane punishes you with his own signature vocal style. Tempos shift from the high speed chase to the headbanging mid range, accompanied all the way with double kicks and blast beats from hell. The finger and foot tapping assault of "Your Poison Thrown" is a surefire crowd pleaser. Loomis steps back, allowing the charismatic Dane to lead the charge, asking "what do you want from humanity?" The whine of a solo brings the song full circle.

The bruising continues into "Moonrise (Through Mirrors Of Death)," a double kick packed rollercoaster ride. The oft forgotten rhythm section batters the listener into a state of shock, from one staggering roll to the next. The syncopated beats of "And The Maiden Spoke" may catch you off guard, especially when delivered alongside the ominous spoken word. Dane is at his melodic best, with vocal melodies that simply cannot be duplicated. A light guitar in the chorus merely serves to harmonize, before coming back to life.

The band dial things back slightly, offering a song that begins as a standard rock song. "Emptiness Unobstructed" is a rhetorical question of life's purpose, leaving Dane searching for the answers. Verse crashes into chorus, which comes to a chugging halt, tagging the verse back in. Fear not, the mighty Loomis gets his lick in at the end, delivering a blazing solo over a chorus of toms. A dark ballad follows, in the form of "The Blue Marble And The New Soul". They slow to a crawl, delivering a lyrically powerful lesson. The poignant "Without Morals" follows, revving the engine back to speed, preparing for the home stretch with Warrel Dane's voice taking the fore.

Bass and drums unite to form the backbone of "The Day You Built The Wall," which provides the stomp of the album, without losing the lyrical power. Diverse vocal delivery, from melodic crooning to the low growls,  helps to drive things home. Even at the slower pace, Loomis still dishes out a well crafted solo, choosing to work with the flow of the song, as opposed to against it. The acoustic tinged and sexually charged  "She Comes In Colors" starts out like a lamb, but quickly changes over to a beast, with high speed riffs rolling over heavy snare work. The title track serves to end things where they began, melting faces with solo after solo. The onslaught will leave you battered, beaten and ready for more neck breaking drum work. The unit play off of one another, building to a dramatic conclusion.

Originality becomes harder and harder to come by, with each new band simply ripping off those who came before, in some twisted homage to their heroes. Yet, somehow, Nevermore's sound has gone untouched by outsiders. It seems far fetched to think that no one has tried to steal any aspect of their style. It is more likely that many have tried, and failed, to replicate it. Bravo, Nevermore.

9/10

Official Site - http://www.centurymedia.com/artist.aspx?IdArtist=39

Myspace - http://www.myspace.com/nevermorefans

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Crimfall - The Writ Of Sword (2011)

Finland's Crimfall have charged into war head on, looking to tear down the walls of the "same old" folk metal. 'The Writ Of Sword," the followup to 2009's "As The Path Unfolds," doesn't abandon all that came before, but rather embraces it. After becoming an official five piece after the release of their debut album, the band have grown in more than just number. They have returned, focused and more efficient than before.

A perfect opening for the album, "Dicembre" finds you traveling through the cold, accompanied by strings. A short but fitting introduction to the initial assault of "Storm Before The Calm." Here is where we find the band at their best, both musically and vocally. Alternating periods of thrashing and chugging, kept in motion with sizzling cymbal crashes. A sharp contrast in vocal styles, delivered in a point/counter-point fashion at times, finds all gaps filled with backing chants. Horns and strings are a strong addition.

Displaying one of the most identifiable traits of folk metal, the use of ethnic chants, "Frost Upon Their Graves" is a step toward the epic. Crisp, clean and well executed, the song is a building block to bigger and better things. "Cahceravga," a short, chilling interlude, gives you the feeling of walking along a battlefield, littered with the fallen. "Shackles Of The Moirai" is a five minute folk masterpiece. Everything good about the genre is present; from the gutteral screams, to the beautifully crafted instrumentals, padded with a heavenly female voice. Heavy and bruising, yet somehow soft and moving.

The albums title track, complete with the dark call to arms, builds to a fury, making you feel as though the battle is upon you. A driving, yet smooth bass line compliments the orchestration, with blood curdling screams coming over the top of it all. The clanging of bells draws the track to a close, and leads us into a breathtaking instrumental, titled "Geadgai." Layered and textured with an array of sounds, including the darkest of chanting, musicians of all background will find something to worthy of tapping your foot.

Beautiful acoustic guitars and female vocals thrust you into the fray, the symphonic battle of "Silver And Bones." Each bridge and chorus, a battle. Each verse a reprieve. This is as grandiose a song as you will ever find in the folk world. Delicate interludes break the track up, allowing for a breath before plunging in head first again. Eerie strings take you to your final march, the somber yet up tempo "Son Of North." As the battle ends, and the music fades, you may feel empty.

As battering as it is refreshing, the album covers the entire 360° scope of folk metal, without diluting it to a blur. However, while it clocks in around the 45 minute mark, it almost seems too short. In the sea of folk metal, this is often a good thing. But, seeing the evolution of Crimfall unfold on this disc, you may be thirsty for more. Prepare for the next battle. The frozen north has a new shining star.

8.5/10

Official Site - http://www.crimfall.com/
Myspace - http://www.myspace.com/crimfall

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Katatonia - Night Is The New Day (2009)

 

Everyone is entitled to a bad day here and there. Sometimes things just don't turn out the way you wanted. In the case of Katatonia, it was a bad day that lasted the better part of three years. Following the success of their acclaimed 2006 album, "The Great Cold Distance," the band suffered through periods of writers block that had fans wondering if a new album would ever be completed. When things appeared to be at their darkest,  "Night Is The New Day" was released.

Equal parts inspired and somber, "Forsaker" leaps off the page with a taste of the trademark sound that Katatonia is known for. Singer Jonas Renkse is at his bleak best, with a voice that is emotional and vibrant. A well oiled rhythm section and layered guitars set the tone for the tracks to come. Dialing back the aggression, if only temporarily, "The Longest Year" begins gently. Before long, the track is at a boil, a perfect balance of emotion and fury.

Strings and acoustic guitar greet you at the doorstep of "Idle Blood," allowing a smooth bass line to take the lead. Renkse finds the opportunity to provide a stirring vocal accompaniment. "Onward Into Battle" isn't the iron clad fight song you might expect, but rather a call to action as life fades away. The distortion of chugging guitars open "Liberation," which boasts a chorus that you will not forget. The high pitch cry of a guitar and synthesizers open "The Promise Of Deceit," a bass heavy song with precisely timed snare hits and cymbal crashes.

Dark and ominous, "Nephilim" promises that he will come for your son, in the darkest of night. Soft, padded verses give way to chunky refrains, laid out in a doom style. "New Night" has the air of a song of victory, with Renske's vocals having an edge not detected throughout the album. But it remains lyrically dim and depressing.

The heavier moments of the album fall in "Day And Then The Shade." Well executed in its arrangement and delivery, it brings things to a head. "And every waking hour is part of the lie." Uptempo and flowing, it is the perfect contrast to the album's closing track, "Departer." Soft, slow, bleak and emotionally charged, this collaboration with electronic artist and singer Krister Linder is pure beauty in so many shades of gray. The vocal melodies achieved are breathtaking.

Described by Opeth mainman Mikael Akerfeldt as "possibly the greatest 'heavy' record I've heard in the last 10 years," the album has become the crown jewel in the extensive Katatonia catalog. They have, once again, raised the bar for all others. In the darkest night sky, this star always burns brightest.

10/10

Official Site - http://www.katatonia.com/
Myspace - http://www.myspace.com/katatonia

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Children Of Bodom - Relentless Reckless Forever (2011)

Known for their multiple layers of godly guitar solos, Children Of Bodom is back again with another headbanging studio album entitled "Relentless Reckless Forever." The melodic heavy metal band from Finland has taken a step in a different direction with this album. Of course, listening to their older albums, you already know that they like to change things up in almost every album. Somehow they always manage to keep their sound unique and likable.

"Not My Funeral" is the first song off of the album, and really gives you a taste of what this album is all about. Constant blast beat drumming keeps you rocking your head from start to finish. Screeching guitars fill the air, while they are layered with a touch of soft strings in the background. Alex Laiho, the lead guitarist and lead vocalist of the band, shows off his amazing talent as he destroys scales with his shredding solos.

Another song that really deserves some attention is track three, "Roundtrip To Hell And Back." This leans a little bit more towards their older work, with the use of their synthesizers and keyboard action. No solos from Janne Wirman, the keyboardist, however his melodies do manage to provide more color to the mix and a more epic sound to the overall song. But don't worry about the solos, Laiho takes care of that with another mind blowing melody.

The title track, "Relentless Reckless Forever," has an awesome build up in the beginning. It starts with rapid drumming, followed by a groovy bass line and catchy melodic guitar riffs. The vocals consist of aggressive mid-range growling that really stand out through the verses. "Was It Worth It" is another kick-ass track that follows a similar pattern. This song carries lots of bass and loud crashing cymbals. The guitar riffs are excellent and are layered with wicked vocals. This is all followed by another effortless solo. You will definitely want to repeat this song a couple of times.

The album didn't really include to many keyboard solos like they usually do, but again, having drastic changes like this is what really keeps their albums unique. You never know what you're going to get when you open up a new album. One thing is for sure; you're always going to be at the edge of your seat as you listen to see which direction they choose to go next.

8.5/10

Official Site - http://www.cobhc.com/
Myspace - http://www.myspace.com/childrenofbodom

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Orphaned Land - The Neverending Way Of ORwarriOR (2010)

Music transcends all. The recent documentaries "Global Metal" and "Heavy Metal In Baghdad" were eye opening, in depth looks into the world of metal around the world. And, time and again, showed us that in the most oppressive, politically charged regions, music is the fiber that ties us all together. Never has this been more evident than in self described "Jewish Muslim Metal" pioneers Orphaned Land, who have taken ethnic folk metal to the Middle East, and thrived.

"The Neverending Way Of ORwarriOR," a concept album of epic proportions, was recorded over the span of 5 years, and 600 studio hours. It combines vocals in four languages with a host of both traditional middle eastern instruments and Oriental soundscapes. Simply put, the words "exotic" and "diverse" don't do the album justice. Divided into three distinct subsections, the album tells such a lyrically compelling story, that it must be read to appreciate at its core.

From the start of the opening offering "Sapari," you are treated to some of the more infectious grooves the album has to offer. Upbeat, uptempo and uplifting, the insanity of the drum fills alone will have your foot tapping. "From Broken Vessels" delves into the progressive, with alternating periods of growls and pitch perfect harmonies. A wailing guitar intersection slows things down before the stomp begins anew. A fitting ethnically charged interlude starts a screaming end, before an all out stop.

One of several acoustic tracks follows, with "Bereft In The Abyss" serving as an introduction to the two part tale that is "The Path." Equal parts heavy and heavenly, Orphaned Land are flawless in their execution here, with melody and purpose coming together to form something greater than the sum of its parts.

From the softer offerings of "Ola Ha'Tamid" and "The Warrior," to the aggressive, yet captivating "Disciple Of The Sacred Oath II" and "Vayehi Or" this is an exhibition of musical proficiency. Every note is played with the utmost expertise, but also with the vigor that comes with the attached message. "Barakah" let's a dark narrator take the fore at times, backed by orchestrations and a single acoustic guitar. Melodic vocals delivered so passionately draw you in, as if you are a child, hearing the stories of your people.

"Codeword: Uprising" starts with a flurry of drums, only to be complimented with a flowing guitar and some of the deepest growls to be had. Various sounds interject, with short bursts of instruments and vocal samples darting in and out. The guitars chug away, tangled with dark, fast paced screeches. The tempo builds as the story comes to its peak. The epilogue, "In Thy Neverending Way" is a work of guitar mastery, almost concluding the tale in solo form. Beautiful female vocals enter, fluttery and light. And the last words are spoken. "Go in peace, and find thy faith/Evolve thy self, and lose all hate/So a heaven you may create."

This is more than a fusion of metal and Middle Eastern culture. Orphaned Land have created a masterpiece that overshadows the unrest of a region. They have chosen to tell a story that is profound on its own. But paired with a musical outing that is both brutal and subtly empowering, it becomes a story for the ages. And no amount of soldiers, guns and bombs can change that.

10/10

Official Site - http://www.orphaned-land.com/
Myspace - http://www.myspace.com/orphanedmyspace

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Arkan - Salam (2011)

You don't see too many death metal bands with a solid middle eastern twist now-a-days. Out of the bands who do attempt it, there are only few who truly stand out from the rest. Arkan just so happens to be one of those bands. Breaking through to the metal world, they release their second studio album, entitled "Salam." The album contains unique Arabic instruments and sounds that surround their deathly tones and ominous guitar riffs. The vocals are clashed together between deep, monstrous growls and ravishing clean female singing.

The album is immediately introduced with "Origins," which enters with melodic acoustic strings giving off Arabic vibes and soothing tones. This is followed by heavily distorted guitars and aggressive drumming. The verses are filled with the compelling growls of Florent Jannier. The refrain is then met with the gorgeous vocals of Sarah Layssac. Her voice is layered gently over heavy distorted chords. Towards the end of the song comes a short solo, giving you a little taste of what is still to come.

"Inner Slaves" is the second track off of the album and changes up throughout the song. It includes bone crushing guitar breakdowns layered with colossal growls and powerful bass lines. It also consists of subtle verses lead by Layssac's alluring lyrics. The song falls back and forth through these drastic changes, giving no sense of direction. This will have you hooked as you await for the next interesting change within the song. Excellent song structure really separates it from the rest.

If you enjoy the massive distorted guitar riffs behind the astonishing female vocals, then be sure to check these out. Songs like "Blind Devotion" and "Jeruselam - Sufferpolis" are full of bass filled drums and gory guitars that are met with stunning, melodic vocals. They, of course, contain Arabic like instruments that add so much detail to the image portrayed. Even "Sweet Opium" gives that image of being lost in the desert. Malevolent growls and rapid double pedaling are also incorporated throughout this track.

Late in the album you will come across "Lightened Heart," a 1 minute instrumental which is short, yet as you will see, is packed with so much action and aggressiveness. Cymbals are constantly crashing as snares and toms fill the air. This is all surrounded by a repetitive melodic guitar riff that will make the hairs on the back of your neck stand up. You will wonder why they kept this song so short. You will then stumble across the next track entitled "The Eight Doors Of Jannah." Then you will see that the instrumental before it was only a mere warm up track that builds into this song, one of the heaviest on the album. It contains everything from fast double bass pedaling to slow soothing bass lines and right back to dark, deafening breakdowns. There are even verses where the deep growls sing with the clean vocals that add beautiful edge to the song.

Overall, Arkan has touched on a little bit of everything when it comes to their genre. "Salam" is full of surprises and leaves you wanting more within each and every song. The album is an impressive work of art and deserves much attention.

9/10

Official Site - http://www.arkan.fr/
Myspace - http://www.myspace.com/arkanband

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The Podcast: Episode 2 (Why So Serious?)

Episode 2 finds the gang with a variety of topics to discuss. Includes a breaking artist segment, discussing the albums by Brymir and Blackguard. Chester turns in his homework assignment, after listening to the Nightwish album "Dark Passion Play." Metal discussion, plain and simple.

http://www.megaupload.com/?d=9MG1RX05

Download, listen, and feel free to comment down below.

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Dethklok - The Dethalbum (2007)

Do anything for Dethklok. That is the mantra of the world's biggest death metal band, and stars of the hit Cartoon Network epic, "Metalocalypse." The group combines the talents of Skwisgaar Skwigelf (taller than a tree), Toki Wartooth (not a bumblebee), William Murderface (Murderface Murderface), Pickles the Drummer (doodily doo ding dong doodily doodily doo) and of course, Nathan Explosion. More accurately, this album is the brainchild of Brendan Small, recorded with a little help from his friends, including the legendary Gene Hoglan on drums.

Ever wanted to commit mermaid murder? Now you can! With the assist of the opening track, titled "Murmaider," that is. From the planning, to the execution and subsequent revenge, this song gives you a list of necessary steps to follow in your quest. Dark chugging and the signature death metal growls kick off the album with a blast. "Go Into The Water," tells the story of a changing world, one where we will all go into the water to live and die. Taken from the band's "Dethwater" album, it is not to be taken literally. After all, the album was intended to be for fish only. Skwigelf's guitar work is top notch, with a hook to envy.

The band bring to life the evil Mustakrakish, the lake troll, with there high octane, double kick laden "Awaken." Played at the speed of light, every note, every snare, every tom is delivered with precision and force. Better watch out, Finland. Explosions vocals are highlighted in the scientific masterpiece, "Bloodrocuted," which might serve as the precursor to the aptly titled "Go Forth And Die." Certainly a commencement speech to remember, and a reminder that while you may be smarter, more beautiful or more wealthy, we are all dying.

"Fansong" finds the group thanking us, the fans, for not only buying their albums, but also giving them something to hate along the way. From the metal gallop of "The Lost Vikings" and "Thunderhorse," to the Monday through Friday workplace  thrash in "Briefcase Full Of Guts," all of your favorites are here. The old fashioned, boring rendition of "Happy Birthday" is out, replaced with the high speed, growling "Birthday Dethday." A story of birth through death, it is as heavy as it is festive. RSVP, please.

A fight song of the highest order, "Face Fisted" gives us the lyrical genius that is "I'm so fucking tough, I'm so fucking tough, That's right." Almost sounds like a Hatebreed song. At this time of year, when tax season looms, "Dethharmonic" is the anthem you have been searching for. Paired with the London Philharmonic Orchestra at a major charity event, the band ponders the merits of taxes. The tempo slows to half speed, with crashing cymbals ringing over exquisite strings.

The deluxe edition of the album comes complete with a bonus disc of hits, from the "Duncan Hills Coffee Jingle" to the theme to their very own movie flop, "Blood Ocean." Remember when Dethklok learned the ways of the blues from good ol' Mashed Potatoes Johnson? Relive that dark time with the not-quite-bluesy "Murdertrain A Comin'," including a blazing solo from Skwigelf, the world's fastest guitarist.

Brendan Small has crafted something that is both brutal and hilarious. The album will appeal to die hard fans of death metal or metal in general, as well as anyone looking for a tongue-in-cheek laugh. Fictional or not, I find myself wanting to do anything for Dethklok. The Metalocalypse has begun.

9/10

Official Site - http://www.adultswim.com/shows/metalocalypse/index.html
Myspace - http://www.myspace.com/dethklok

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Draconian - Turning Season Within (2008)

 

The gothic doom powerhouse known as Draconian has returned. The dark, dreary landscapes remain as such, but they are now manicured and and revitalized. This is an album of love songs. But before you go into cardiac arrest, look deeper. For so often, love is nothing more than longing, hopelessness and loss. And on "Turning Season Within," you are led, hand in hand, down the shadowy road that is love.

A thunderous bass drum welcomes you to the fold, and "Seasons Apart" immediately weighs on your heart. A dazzling vocal contrast emerges, pairing the violent verses of Anders Jacobsson with the dreamy passages of Lisa Johansson. The time has come for these lovers to part, and every heartbeat can be felt in the poetry. The crushing drums and guitars become the soundtrack to this tale of woe.

Unrelenting, we march. "When I Wake" is an anthem of the hopeless. A guitar hook provides the foundation, while sparse keyboards set the mood. Their pain is conveyed, clearly, throughout the track. Anders utters "But as you cry something inside me dies." Double bass enters, and vocal parts dart in and out of one another, crashing to the end. "Earthbound" starts fast paced and aggressive, breaking for delicate keys and heavenly voice. With its down tempo breakdown, it becomes a morbid search for closure through death.

The beauty of the gothic doom classification is felt in the chilling melodies of "Not Breathing." Slow and deliberate, each strum of the strings highlights each keystroke, each ding of a cymbal, each booming kick. "On my own, by the world outside, where love lies starving on the ground." Fantastic, powerful guitar work leads the way in "The Failure Epiphany," where regret now takes hold of our lovers. A bass line accents haunting synths, "And there in that moment we'll at last find solace." Downtuned chugging in a traditional doom style  clear a path in "Morphine Cloud."

Heavy distortion and ferocious vocal passages occupy most of "Bloodflower," before giving way to an enchanting piano outro. Your heart may be heavy, but the end is near. "The Empty Stare" has a beat that will induce a bout of whiplash. Your are now fully engrossed in the story, feeling the pain and sorrow.

"September Ashes" provides the eulogy, spoken words over delicate piano. A tragic tale of lovers come to a devastating end. The band haven't abandoned the epic storytelling of their previous works, such as "Arcane Rain Fell." They have chosen to embrace it, fine tune it, and develop it into something undeniable. This tale of love and loss is one for all seasons.

"So when I scream for you, do not answer me. When I beg you to hold me, just walk away."

9.5/10

Official Site - http://www.draconian.se/
Myspace - http://www.myspace.com/draconianmusic

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Kamelot - The Black Halo (2005)

Based off of the shores of Florida, comes the infamous Power metal band, Kamelot. Their 2005 album, entitled "The Black Halo," is full of epic stories and symphonic musical greatness. It's the second part of their concept album following their 2003 album, "Epica." It's hard to choose a favorite album when it comes to kamelot, but this is definitely one you will want to check out.

Let me start off by saying that you might have a difficult time getting past the first three tracks, because they are absolutely magnificent and beautiful. The first song on the album, "March Of Mephisto," fades in with eerie sounds and snares that lead into distorted guitar riffs that will have you throwing up your devil horns immediately. Lead singer Roy Khan does an excellent job in the verses and choruses of the song. The special guest featured in this song is the great Shagrath, who is the lead vocalist of the Norwegian black metal band Dimmu Borgir. Shagrath accompanies Khan during the chorus, leaving a chilling feeling down your spine as you hear the "beauty & the beast." The track also includes a mind blowing solo towards the end of the song, thanks to the electrifying guitar work of Thomas Youngblood.

The second song on the album,"When The Lights Are Down," is a fast paced, heavy guitar track, layered with quick drumming and rapid bass lines. The chorus really takes over this song, as you will eventually start to sing along due to the catchy and melodic lyrics. Khan shows off his impressive vocals throughout this song, as he hits both high and low notes smoothly and without effort.Unfortunately, the song comes to an end in under four minutes, leaving you with the immediate thought of hitting the "repeat" button

Don't be afraid to move on, for their is much more beautiful power metal to be heard. "The Haunting (Somewhere In Time)" is the third track on the album and is packed with tremendous amount of beautiful lyrics and melodies, full of meaning. It starts out with the first verse full of eeriness, in both the instruments and vocals alike. They also include guest singer Simone Simons, the Dutch lead vocalist of Epica. As it builds, his voice begins to rise and snares and cymbals fill the air. The choruses carry so much feeling as Khan is accompanied by a light layer of a female voice in the background. Powerful guitar solos follow behind each chorus, bringing you to your knees in amazement.

Moving forward, "Abandoned" is a great power metal ballad that really balances the album out. It is full of heavenly piano notes and soothing strings as they are met with the vocals of Khan and also, another guest vocalist, Mari Youngblood. Together, they produce a ravishing touch to the song and its importance to the album.

"Moonlight" is where the album picks up and becomes a little heavier, as it starts of with deafening guitar riffs and crashing drums and cymbals. Again, the chorus is full of feeling and heart as Khan belts each lyric. There is an interesting us of different instruments within the breakdown. This includes violins and other stringed orchestral instruments that are followed with a quick guitar solo. A couple of other songs to check out are "The Black Halo" and "Nothing Ever Dies." These consist of similar fast pace action and astounding guitar structure.

Just under 9 minutes long, track 12, "Momento Mori," is a glorious song that you won't want to skip. It starts out as a stunning ballad but slowly opens up into a loud drumming and fast heavy guitar chugging masterpiece. It features both Shagrath and Mari Youngblood. The use of symphonic instruments and melodic lyrics define the true power captured within the song.

This album is dark and yet uplifting all in one, as it tells a great tale through and through. The songs are well written and well performed, and give great inspiration to those who hear it. It is also a real treat to see such great artists featured on the album. This is a marvelous album that will take your breath away from beginning to end!

9/10

Official Site - http://www.kamelot.com/
Myspace - http://www.myspace.com/kamelot

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