Showing posts with label raw black metal. Show all posts
Showing posts with label raw black metal. Show all posts

Tuesday, January 21, 2014

Absidia...In The Shadow - The Storm (EP) (2013)


For those who haven't had the pleasure of experiencing it first hand, there is a tremendous amount of work and dedication that goes into the pre-production process. Writing, arranging, adjusting, rearranging, rewriting; It seems like a neverending battle before you ever get into the studio in earnest, to actually put your music to digital media. Absidia...In The Shadow, a Moscow based raw black metal band, undoubtedly put in the hours to get their music ready for release. But it is what happens when the record button is pressed that people remember, not the work that went in beforehand. So despiite their best efforts, the EP that makes it's way to you, titled "The Storm," probably isn't what they intended it to be. Two tracks, ten minutes of raw but symphonic-tinged black metal that has all of the necessary elements to put down a classic offering, and yet fails to highlight anything along the way. One layer, one dimension, and a lack of a star leaves this offering feeling flat and awry.

Leading with the title track, "The Storm," there is certainly a heavy reliance on symphonic and synthesized backings here. It is a simple flow of clean guitars and drums, elevated by some brilliantly restrained keyboard work. What makes it successful, even with a tight two minute window attached, as the haunting feeling it leaves as it rolls into the second track, "World Of Rain." With vocals now present, there is a certain roughness to the mix, an added raw element that, somehow, actually generates depth. It is bizarrely alluring, despite lacking an element that takes command of the mix. In fact, it isn't until past the three and a half minute mark that the guitars make themselves known as more than just a layer of distorted chords. They jump out of your speakers for a brief solo, only to step backwards into the fray. That is where the major flaw of the EP comes to the forefront; with no clear leader, the track often feels muddled, despite having a handful of elements at their disposal. Isolating each one with repeated listens, there is plenty going on. But the mix let's the band down.

When Robert Burns wrote "The best laid schemes o' Mice an' Men, Gang aft agley," never could he have known the universal application of his words. Better known to the current generation by the English translation, "the best laid plans of mice and men often go awry," it can be placed next to any event, any piece of art, any situation in life. Absidia... In The Shadow must known all too well the depth of it's meaning. Their intentions on this EP seem righteous at their core; symphonic inspired black metal, with a raw edge. And maybe that is what some people will hear when they hit play. But where "The Storm" fails to deliver is in a need for a center stage player. Is it the keys, the guitars, the vocals? Aside from a thirty second blast of wailing guitar solo, there isn't much to hang your hat on when the last notes fade. And that, more than anything else, is where this two track EP goes off the rails. The set up is there, the actors are ready, but the spot light never comes on.

6/10

Official Site - http://vk.com/club27180188
Myspace - https://myspace.com/absidiaintheshadow
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Tuesday, November 5, 2013

Krayl - Froide Et Sombre (Demo) (2013)


There are genres and sub genres, and sub sub genres in metal; even the most dedicated scholars would be hard pressed to name and catalog them all. But when it comes to black metal, the casual observer might think that attaching the word "raw" might be redundant. Known for the grating tones and tin can production, to be known as raw in any form might be misconstrued as being poor quality musicians. But Svartblod is anything but, this time putting his stamp on a more traditional raw black metal project, one that runs contrary to the sadness and morose of his other project, The End. And where the latter relies on emotional investment to his home with his listeners, Krayl is about contrast and light/dark dynamics. For every action, there is a reaction. They might not be equal, but they are certainly opposite. And with this latest demo, "Froide Et Sombre," he takes those tenets to their limits, giving the word "raw" a reprieve from the constant belittling it endures.

What you've gotten yourself into is a tale of two sounds; one raw, one hauntingly scary. The intro track, "The River Of Blood" exemplifies that without hesitation. Early on, an unbridled black metal assault is all your ears can break down. Production values are stripped down and chaotic, and there is no sign of layering or subtlety. But the second half, atmospheric as it is, brings a chill. With sound effects and chanting, Svartblod does more than any instrumental could. Finding a way to merge the two would be groundbreaking, but songs like "The Call Of The Night" take a contrary approach, keeping them separate but equal. This isn't to say one is less successful without the other. But the ambient noise of the second half more than props up the traditions of the first. And somehow, with all that contrast "Burning The Righteous" has something that makes it stand out. The dynamic is almost the same, but stronger, as sampled spoken word segments hit so much harder than the vocals in the main verse. In this instance, you come full circle; starting and ending raw and unpolished. The way Svartblod harnesses these elements, especially in a song like the finale, "As We Travel Across The Filthy Lands," is what separates this effort from others. He dials back the aggression at the right times here, allowing a looped phrase to hit home again and again, before bringing the raw distortion back to the fore.

Raw black metal isn't exactly the most easily understood or digested form of metal you'll hear; sometimes you have to look far deeper than you might be willing to. But if you can delve deeper, beyond the distortion and screams, you might find something interesting to come back to. Svartblod hasn't penned an instant classic here, nor has he reinvented himself or the genre. But the black and white dynamic he relies so heavily on in this effort works in mysterious ways. It's not like the quiet moments are heartwarming or sure to make you feel all warm and fuzzy. But their impact is undeniable, something that was surely the intent. In those down tempo, downtrodden passages, you can find something more than just wildly inconsistent production and musicianship; you can find a vision and an ability to execute on profound levels. And that is enough to propel the demo into a different place in the musical spectrum. Raw black metal isn't as one dimensional as you might have been led to believe. And "Froide Et Sombre" gives you a glimpse at the second level.

7/10

Bandcamp - http://krayl.bandcamp.com/
Facebook - https://www.facebook.com/kraylofficial
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